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“The next day in the studio, we made copies of the script and handed them out, and we all sat down for a table read.
#How long is pink floyd the wall album movie#
I closed my eyes and wrote out the movie that would become The Wall. “I started writing, and in the process of doing that I began to realize, “I’m writing a script.” It took one night in my flat in London. We started to separate out the pieces, and when we looked at the storyline we realized what we needed was a through line, something to get us from start to finish. “In the beginning we had a very long demo that Roger had written. In a 2013 interview for, co-producer Bob Ezrin recalled the early days of The Wall and sorting out Roger’s demo, There is a lot of evidence - written, verbal, and musical - that this was not the case with one of rock music’s most spectacular works. In most cases, a band with the cachet of Pink Floyd releases the album that they want, as it was intended to be heard. Pink Floyd The Wall is an incomplete masterpiece. With a final running time of 81 minutes, that’s at least 10% of The Wall that’s missing. I’ve got a great band together, and I have every hope that we will do the work justice.”Īdditional reporting by Christa Titus and Ray Waddell.At least 8 and half minutes of music were cut from the album. I’m going downtown as we speak to work on visuals for ‘Dark Side of the Moon’ and the rest of the show. “Somebody rather fancifully suggested Pink Floyd playing ‘Dark Side of the Moon, and somebody else rather fancifully approached various people who said, ‘Are you f***ing insane? It’s not going to happen.’ So they asked me … The more I’ve worked on it, the more the idea has grown on me. I thought to myself, ‘Wow, this is a pretty complete piece of work,’ and I had every confidence that people would respond to it.”Īs previously reported, Waters plans to play the album in its entirety on his upcoming tour, an idea he says spawned from a request by Formula I. “And I thought, ‘This has obviously struck a chord.’ I was kinda pleased by that. “When the record was finished, I took a reel-to-reel copy home with me, and I remember playing it for my wife then, and her bursting into tears when it was finished,” Pink Floyd principal Roger Waters tells Billboard. In fact, the album still often outpaces the low end of The Billboard 200, and every song on the more than 30-year-old record still gets radio play, with some among the most-played songs at classic rock stations monitored by Nielsen Broadcast Data Systems. Label sources say “Dark Side” has sold roughly 40 million copies worldwide and still routinely moves 8,000-9,000 copies on a slow week. The runner-up for time served on The Billboard 200, Bob Marley and the Wailers’ “Legend,” is several years behind, and Floyd’s lead in total chart weeks is greater Marley’s by an almost 2-1 margin. It’s difficult to contextualize just how singularly dominant a chart - and cultural - force the album has been. Add in a later run on that chart and another 759 weeks on the Top Pop Catalog Albums chart, and Pink Floyd, with this issue, reaches the staggering plane of 1,500 weeks on the charts. More than 14 years later - 736 weeks to be precise - in July 1988, it finally fell off The Billboard 200.
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And then a funny thing happened: It never left. On March 17, 1973, a band in musical transition named Pink Floyd hit the Top 200 chart with the release of its new album, “Dark Side of the Moon.” It entered the chart at No.